|Publicity photo of Emma B. Hodge|
Emma Blanxius was born in 1862 in Milwaukee, Wisconsin, the daughter of Christian and Amelia Petterson Blanxius. Like Alice, Emma came from a large family and had three older sisters. By 1870, the Blanxius family had moved to Chicago and as a teenager Emma—whose parents were both immigrants from Sweden—joined the Freja Society, a Swedish and Norwegian choral group. Through the Freja Society she met Walter Hodge, an English immigrant working in a dry-goods store. They were married in 1879 and had three children.
|Frank Gunsaulus (left), Emma Hodge (second from right),|
and other Central Church Choir members at Heart’s Delight
|Quilts from Emma Hodge’s collection on display at|
the Art Institute of Chicago, 1915
|Embroidered Russian towel|
Art Institute of Chicago,
gift of Emma Hodge (1919)
Hodge’s 1918 textile exhibit was held in Gunsaulus Hall, a recently opened addition to the Art Institute which had been funded by a $50,000 gift from William and Alice Miner. Even as the Miners turned more of their attention to Chazy and Heart’s Delight Farm, they remained connected to Chicago’s art world through friends like Emma Hodge. As for Emma, she became nationally known as an expert in antiques, and was the frequent recipient of queries from people who believed—or hoped—that they were the owners of some rare and valuable piece. As her obituary notice in the Bulletin of the Art Institute of Chicago stated, “It was often her uncheering task to reply that these cherished possessions were worth little or nothing, a duty she accomplished with rare tact and kindness.” Until the end of her life in 1928, she remained an “enthusiast and delver into the historical past,” and an “unfailing and patient adviser of the new collector.”
In 1924, Emma Hodge presented Alice Miner with a massive scrapbook of newspaper clippings, programs, photographs, and other material about herself and their mutual friend Frank Gunsaulus. Much of the information in this post comes from the scrapbook. Information was also drawn from Judith A. Barter and Monica Obniski, For Kith and Kin: The Folk Art Collection at the Art Institute of Chicago (2012).