Portraits Abound

Now that the museum has closed for the season, we have turned to the job of preparing the lone remaining 3rd floor room in need of renovation - the Lincoln Library. The work will include having the 1950s era wallpaper removed, repairs done to the plaster walls and ceiling, and painting of the ceiling, walls and floor. This means carefully storing our Civil War exhibit objects. It has also required some major furniture relocation with the help of our docents and staff.

The Lincoln Library is one of my favorite rooms in the museum. It has a high domed ceiling and a huge Victorian converted gas light chandelier, circa 1864. The room was named by Alice and holds the collection of President Lincoln objects, letters, books and photographs that she gathered for the museum and for her husband, William. Other interesting pieces include a custom-built case holding World War I era commemorative medals, and a beautiful late Federal mahogany Ladies' secretaire bookcase. The bookcase, or desk, holds many interesting smaller objects and is always fun to look through during a tour.

Among the Lincoln associated objects in the collection are two I want to provide more detail about. One is a Hanley Staffordshire pottery plaque, "Portrait of Abraham Lincoln" modeled in 1909 from a portrait taken in 1864, and made by Sherwin and Cotton Eastwood Tile Works. The tile is an amazingly lifelike image of Lincoln that was probably transfer-printed onto the porcelain before glazing. The glaze is similar in tone to a sepia photograph, and the porcelain itself is subtly shaped, or raised, to represent Lincoln's facial features. This piece was produced and sold in honor of the 100th anniversary of Abraham Lincoln's birth - February 12, 1909.

Lincoln was the first United States president photographed while in office. There were over 100 photos taken of him during his lifetime. The inscription on the back of the tile claims the image was created using "the only untouched negative in the United States", later this photograph was reproduced in another wonderful object in our Lincoln collection. The Photographs of Abraham Lincoln, 1911, compiled by Frederick Hill Meserve, contains a chronological record of all of the photos taken of Lincoln in his lifetime. Incidentally, the earliest known photo of Lincoln was captured circa 1848 when he was a Representative in Congress from Illinois.

There were just 102 copies printed of the first edition of the Meserve book - with a listing of recipients in the front. Our copy, signed by Mr. Meserve, is number 96. According to "Supplement Number One" published in 1917 - our copy first belonged to Mr. William C. VanAntwerp, who worked for stock brokerage EF Hutton. Frederick Meserve (1865-1962) was likely inspired to collect Civil War era photographs (at a time when mot people did not significantly value them) partly due to the fact that his father, Willian Neal Merserve, was a soldier of the Civil War and was wounded in battle at Antietam.

When we open again for tours in the spring the Lincoln Library will be an even more wonderful room to visit. The Civil War exhibit will again be on display for all to enjoy. Until then, one can visit the museum to attend events and perhaps peek through the door at the renovation in progress.

Happy New Year!

Alice on Ivory

When you visit our museum website (www.minermuseum.org) the first image you see is a lovely painted portrait of Alice T. Miner welcoming you to the site. The original, on loan from Miner Institute, sits on a table in the Parlor here at the museum, and it is truly a lovely image. The portrait was done on ivory by Mira Edgerly Korzybski, a well-known woman artist in her day. Miniature painted portraiture had fallen off in popularity with the rise of photography, but the genre was making a come-back with artists who appreciated the works they were still seeing in Europe.

Alice T. Miner painted portrait by Mira Edgerly, ca. 1915

A largely self-taught artist, Mira Edgerly was born in Illinois in 1879, but grew up in Michigan where her father was an inventor and the director of the Michigan Central Railroad. Her fascination with drawing started when she was quite young, and as a teen she was sent to Europe to study art in England and Paris. Mira later studied at the Art Institute in San Francisco where she met and posed for her friend, photographer Arnold Genthe. John Singer Sargent urged her to pursue her love of portraiture by painting on ivory.

Mira Edgerly Burt (Mr. Burt was her first husband) portrait by Arnold Genthe

Mira Edgerly eventually took the medium one step further by painting on larger pieces of ivory, such as the 4.5"x 10" portrait of our founder, Alice T. Miner. Mira chose more translucent pieces of ivory to give greater luminescence to her colors, ordering the large pieces from London. Her skills were in demand around the world and she painted portraits of socialites, statesman and the upper echelons of American and European society in New York, London, Paris, San Francisco, Chicago, and Latin America.

In 1919 Mira Edgerly married her second husband Alfred Korzybski, a Polish-American philosopher and scientist best known for developing the theory of General Semantics. She led an extremely interesting life! She worked to forward the career of Gertrude Stein, and painted a portrait of Princess Patricia, a grand daughter of Queen Victoria, while in Ottawa. Mira Edgerly is mentioned in the autobiography of Alice B. Toklas in 1933, "Mildred Aldrich once brought a very extraordinary person Myra Edgerly. I remembered very well that when I was quite young and went to a fancy-dress ball, a Mardi Gras ball in San Francisco, I saw a very tall and very beautiful and very brilliant woman there. This was Myra Edgerly young. Genthe, the well known photographer did endless photographs of her, mostly with a cat. She had come to London as a miniaturist and she had one of those phenomenal successes that Americans do have in Europe. She had miniatured everybody, and the royal family, and she had maintained her earnest gay careless outspoken San Francisco way through it all."

An independent and strong character seemed to sustain her and help further her career as well as those of her friends. Today, however, there is not much known about Ms. Korzybski. Her work can be found at The Art Institute in Chicago, and there is a large collection of her personal papers, letters, journals and photographs, along with forty of her ivory portraits at Columbia University in New York City. But if you are in northern New York, you need only travel to The Alice to see an amazing example of her work!

Thomas Jefferson & The Barbary Pirates

You may be surprised to learn this! Right here in this Colonial Revival influenced museum, first opened in 1924, resides a hand-written letter containing information that may help the United States Navy tackle the current problems presented by pirates on the high seas. In this letter, a very prominent man in our Nation's history offered his advice. He was the President of these United States and he held very strong opinions about dealing with the terror wrought by pirates! This, however, is no recent missive. It was written in November 1801, by Thomas Jefferson.

Thomas Jefferson Bronzed Metal Plaque, early 19th century

Jefferson was writing to Thomas Newton. He wanted to thank him for the casks of "Hughes's crab cyder" (sic) Newton had sent to Jefferson. But the pirate issue weighed heavily on his mind. Jefferson had just become President in March of that year and he had made a bold decision regarding the Barbary pirates. Since 1784 Congress had been paying as much as $1,000,000 each year in tribute to the North African states of Tripoli, Tunis, Morocco, and Algiers (the Barbary Coast) to protect it's ships from piracy. Jefferson had argued that simply continuing to pay the tribute would never solve the problem. He felt the only way to effectively deal with the issue of piracy was instead to protect our shipping interests with a strong Navy.

When Jefferson refused to pay the tribute, war was immediately declared on the U.S. by the pasha of Tripoli. U.S. Navy frigates were dispatched from the Mediterranean to defend U.S. interests. Thus began the Barbary Wars. Jefferson's refusal to submit to the extortion so surprised the North Africans that Tunis and Algiers broke their alliance with Tripoli. Jefferson's plan seemed to be working. The first Barbary War lasted from 1801 to 1805.

In The Alice's letter, Jefferson wrote Newton (then a member of the U.S. House of Representatives from Virginia's 11th congressional district) referring to Navy Lieutenant Sterritt's "having captured the Tripolitan... I wish it true the rather as it may encourage the legislature to throw off the whole of that Barbary yoke."

Letter written by Thomas Jefferson to Thomas Newton, Nov. 1801

I'll not reveal more in hopes you will come read this letter yourself. It is currently on exhibit in The Lincoln Library, along with another letter written by Jefferson, as well as the first English edition of his book, Notes on the State of Virginia, published in 1787. This is the only book written by Jefferson that was published in his lifetime.

Also, while visiting The Alice ask your guide to explain how one U.S. Navy Lieutenant finally got his revenge on the Barbary pirates over 200 years after being held captive by them!

Notes on the State of Virginia by Thomas Jefferson,
First English Edition 1787