Le Breviaire d’Henri de Lorraine

Last December Jackie Sabourin and I journeyed hours away to transport a manuscript from the collection to a book conservator for some long awaited TLC. For a 600 year old book the breviary was in excellent condition. Perhaps that's like saying "for a 200 year old human he was in great shape!" Contemplating the age of our breviary really brings into question how it has survived intact these long years and many miles.

details from the breviary

Le Breviaire d'Henri de Lorraine was created ca. 1430 in Rouen, France, for Henri de Lorraine, then Bishop of Therouanne. Alice T. Miner purchased the manuscript from her friend and fellow collector Frank Gunsaulus around 1917. When Alice opened her museum in 1924 the breviary was placed on the third floor for visitors to see. When our collections committee prioritized it for conservation it had been in it's display case on the landing since that time.

the breviary

Deborah Evetts has an unusually broad rare book and manuscript conservation résumé. She was Head of Rare Book Conservation at The Pierpont Morgan Library for many years, and now runs an independent conservation service. Deborah has a talent and passion for book arts which we hope to employ in 2009 with a book binding workshop @ The Alice.

We sought out Deborah to assess the breviary's condition and to formulate a conservation plan for it. Our Collections Committee then approved implementation of the plan. Her work began immediately - the breviary was dis-bound completely and she removed the glue from the spine.

the breviary without it's binding - the process of removing the glue...

The binding had been sewn so tightly that it had caused swelling of the fore-edge. Therefore, the next step in Deborah's work was re-sewing the binding using a herring bone stitch.

sewing the headband...

The book cover also received some much needed repair, including rebuilding of the corners, the addition of a new lining on the spine, and re-backing done with the appropriate calfskin leather, stained nearly identical to the original. Upon first glance it is difficult to see the repairs - one of the marks of an excellent conservator!

the corner before repair...

The vellum paste-downs in the front and back of the cover were removed from the boards supporting the cover and replaced with paper. After many hours of expert work, the cover and pages were reunited and the breviary returned to it's intended state. Finally, Deborah made a new box to house the breviary when it is not on display.

(L) preparing the sewing supports prior to lacing on the board... and (R) the new box to house the breviary during times when it is not displayed...

A short time ago we received the call that Deborah's work was complete. I made the trip to her workshop with Seana Remillard and Stephanie Pfaff to retrieve the breviary. Upon our arrival, Ms. Evetts kindly gave us a tour of her workshop! We then surveyed the conservation work she had done on the breviary before leaving for the long trip back to Chazy. Le Breviaire d’Henri de Lorraine is now back @ The Alice and on display for you to enjoy!

Deborah Evetts in her workshop explaining the work done on the breviary...

Japanese Prints from 'The Alice' Collection

“Warriors & Entertainers”, an exhibition of Japanese Woodblock Prints @ The Alice T. Miner Museum in Chazy, NY, runs through October 25, 2008. Nearly all of the prints are ukiyo-e, “pictures of the floating world,” dating from about 1700 through the late 1860s, featuring actors, courtesans and warriors. These prints, exhibited for the first time, originated primarily from Edo (Tokyo), with Osaka, Kyoto and Nagoya also represented. The collection was acquired by Alice T. Miner in the 1920s.

Kikugawa Eizan (1787-1867) Teahouse
waitress walking through the snow.


Totoya Hokkei (1780-1850)
Saito Oniwakamaru subduing a giant carp.

On Saturday, July 12 the exhibit opened with great fanfare! The day featured a lecture by David Waterhouse, Emeritus Professor in the Department of East Asia Studies at the University of Toronto entitled, "Momentary Pleasures: Glimpses of Old Japan from The Alice T. Miner Collection." Mr. Waterhouse also wrote an essay for the exhibit catalog and helped to select the prints from our collection of over 100 images.

All Photos: PHOTOPIA/Shaun Heffernan

Docent - Janet Brendler, David Waterhouse and Joseph Burke

Although it was a very warm and humid day, we had a capacity audience for the lecture as well as an enthusiastic turnout for the reception. The opportunity to view prints of this caliber in Northern New York is rare indeed!

The Lecture Audience

The Alice staff and maintenance crew transformed the Weaving Room into a lovely exhibit space to display the prints, hiding four windows and adding lighting for the center of the room to illuminate display cases, which hold two large, stunning prints. The Curators of the exhibit were Board Members Helen Allan and Marguerite Eisinger.

The Exhibit Room

Guests were greeted and guided by a wonderful group of docents stationed throughout the museum. Without our dedicated group of docents these events simply would not be possible. I hope readers will humor me as I thank them by name: Virginia Brady, Janet & George Brendler, Lynda Cote, Tia Duffy, Seana Remillard, Jackie Sabourin, and Jaimie Trautman. Docents assisted by framing and hanging the prints, addressing envelopes, and performing myriad tasks on opening day. Many of The Alice Board Members were also a great help by distributing posters throughout the area and helping at the opening.

Docent Cynthia (Tia) Duffy at her post!

This is the first event of its kind for the museum. The Alice T. Miner Colonial Collection Board and Trustees have been planning the exhibit for over three years. The Board underwrote "Warriors & Entertainers" in order to introduce this collection of prints to the public. We were all quite excited to finally usher in our guests to enjoy these works of art that Alice Miner collected so long ago!

Joseph C. Burke - Board Member & Joan T. Burke - Board Chair
of The Alice T. Miner Colonial Collection


Guests enjoying the food...


...and reading the catalog that accompanies the
"Warriors & Entertainers" exhibit.

If you would like to come to The Alice to experience the prints for yourself, kindly coordinate your arrival to coincide with our tour times: Tuesday - Saturday, 10:00 am, noon and 2:00 pm. (If you arrive in between these times we may be on a tour and might not be free to answer the door.) A beautiful catalog of the exhibit is available for sale at The Alice for $10 including tax. The exhibit will be open until October 25.

Docent - Lynda Cote, Curatorial Assistant - Stephanie Pfaff,
and Director/Curator - Amanda Palmer

Weaving the Threads of an Eclectic Collection

Visitors often do not know what to expect when they ring the doorbell at The Alice T. Miner Museum. By the time our tours reach the third floor, guests frequently ask how it came to be that Alice built a collection of such variety and depth.

Colonial Revival influenced collectors during Alice’s time were, among other interests, motivated by a wish to preserve the Nation’s early history. They valued quality hand-made objects and tools over machine-made objects, exhibiting a longing to capture the spirit of the past. As these collectors and the Movement itself grew, the ideals embodied in the Colonial Revival Movement became internalized as an emotional, spiritual and intellectual heritage. Collectors no longer limited themselves to decorative arts made in the Colonies, but appreciated quality hand-made decorative and fine art objects from around the world.

While influenced by the Colonial Revival Movement and by other collectors, Alice T. Miner was a sophisticated collector in her own right. She embraced the decorative arts – ceramics, furniture, textiles, and glass. Her collecting did not stop with objects of everyday life, however. The museum also holds smaller collections of beautiful objects and art. Alice acquired her Japanese woodblock prints in the 1920s through her friend Emma B. Hodge. Her friend Frank W. Gunsaulus advised Alice in collecting some wonderful books and manuscripts.

Frank W. Gunsaulus (Left) and Emma B. Hodge (2nd from Right) at Heart's Delight Farm ca. 1917

Over the past few years the connections between Alice and her friends Emma B. Hodge and Frank W. Gunsaulus have become clearer to those of us researching the museum collection. Dr. Gunsaulus, a Presbyterian minister, was a collector of woven coverlets, Japanese prints, rare books and manuscripts. His daughter, Helen C. Gunsaulus, was Curator of the Buckingham collection of Japanese prints at The Art Institute in Chicago. Emma B. Hodge was a collector of pottery, quilts, Valentines, samplers, paintings and Japanese woodblock prints. Their common interests are revealed as we learn more about these Chicago friends. The strongest threads between them lay in their embrace of the Colonial Revival and Arts & Crafts Movements, as well as their many connections to The Chicago Art Institute.

Helen Gunsaulus (Right) and Friends at Heart's Delight Farm, 1917

Here in Chazy, Alice is remembered as she appeared in the 1940s – an elderly woman who stayed close to home. Viewing her entire life and collection from this perspective can limit one’s appreciation of the scope of her experience, however. As evidenced in our archives of travel photos, letters and postcards from around the world, Alice T. Miner traveled far and wide in her lifetime. Yes, she ventured across frozen Lake Champlain on collecting trips with her friends, yet she also journeyed widely across the United States and throughout Europe.

The influence and aesthetic for her collection came primarily from her other home, Chicago, not merely through buying furniture from the neighbor’s old barn. This influence is what you will see when you tour The Alice T. Miner Museum, for within these walls is an eclectic collection of wonderful depth and substance!

Alice T. Miner ca. 1895

A Room Revisited

I am interested in using this "blog" technology to highlight a few of the ongoing projects here at The Alice. There are many elements here that inherently change: the exhibits come and go, events are presented each month, and our dedication to conservation means that the collection itself undergoes transformation - I'll highlight some recent projects in that realm in another blog. However, our public may not realize that there is also the conservation of the museum building, rooms, structures... our outer shell - and this creates change in the museum appearance, and in the way each visitor experiences the museum.

Yesterday I finished hanging the artwork and placing the objects back into what we call the Sheraton Room. This is the second floor bedroom in the northwest corner, named for the style of chairs that grace the room. The Sheraton Room has been the home of our collection of silhouettes since the museum opened in 1924. If you have been here for a tour you may not have realized this fact. The silhouettes were haphazardly hung and thus gave little indication of their integrity as a wonderful collection.

The silhouette collection as it was displayed in the Sheraton Room before renovation:


In the process of examinging each room in the museum we prioritized the Sheraton Room for repair of a window seat damaged by steam. The window seat was skillfully rebuilt by Roger Bodine and Steve Fessette, afterward Steve painted the woodwork and floor of the room. Of course, everything was removed to allow for this renovation. Moving the objects back afforded the opportunity to hang the silhouette collection with care and planning.

Docent Seana Remillard was a great help during the process of hanging the silhouettes and other artwork. After plotting out where each piece would be hung we tackled the concrete and terracotta tile walls! I hope the results speak for themselves... but you must tour the museum to really experience these wonderful, diminutive works of art!

And here is the silhouette collection today:

Volunteers

I'd like to take a moment to inform you of our need for volunteers! This summer we have an exciting event at the museum - our first exhibit of some exquisite Japanese woodblock prints first collected by Alice Miner in the 1920s. We expect to have a greater number of visitors because of the show, which can only further strain our small number of volunteers. If you have the time and inclination, please consider volunteering.

The Alice T. Miner Museum is seeking volunteers to help in interpreting the museum and its contents for visitors, researching our collection or archives, and assisting with events. The Alice also has a garden club for the green thumb looking to commit a few hours each week. The museum docent should be able to set aside six hours a week for museum work.

The Alice T. Miner Museum is a Colonial Revival Museum with a widely varied and exciting collection of decorative arts and furniture displayed in period rooms first arranged by Alice in 1924. The museum also houses extensive archives, including local history, genealogical information, and letters from well-known historical figures, as well as photographs and personal letters of Alice T. and William H. Miner.

Docents learn skills relating to the proper handling and care of historic objects and archival materials as well as tour guiding techniques, public relations, and research methods.

Our docents are committed to excellent visitor service and appreciate the importance of the Museum's collection, founders and history.

Docents are outgoing, enthusiastic communicators (for tours lasting up to 1.5 hours) who are interested in learning detailed information about the museum's artifacts and about Alice and William Miner - which will enable them to tell the stories of the Miners and the history of the collection. This job requires the ability to express ideas clearly and concisely, experience working with the public is preferred.

For more information email Amanda Palmer - minermuseum@westelcom.com, or call 518-846-7336

Embracing Change, Using Technology

This blog represents a change for The Alice. In a few short years the methods we use to reach out to our visitors have changed exponentially! Lucille Czarnetzky, Director/Curator during the 1970's and 80's, would have connected with her public by talking over the garden fence, spreading news by word of mouth. Fred Smith, my immediate predecessor, courted the public by hanging fliers, talking to the press, and good, old-fashioned word of mouth.

I cannot emphasize enough how important the old ways of spreading the news can be... when I hear from a friend that a show is really worth seeing it means much more to me than merely noting an interesting flier, or reading a review written by someone I do not know. But these methods are somewhat fleeting. People move on and fliers get blown away in the breeze.

And now I will get to the point about embracing technology. This blog affords an opportunity that word of mouth and hanging fliers cannot promise - it will be available for our public to read until I am ready to change the message.

I hope to use our new blog site to keep you up to date on our more immediate news. We already produce a quarterly newsletter and post show announcements on our website, but now I can tell you what happened @ The Alice last week, or yesterday, or just an hour ago on a tour.

Stay tuned!